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Showing posts with label 2014. Show all posts
Showing posts with label 2014. Show all posts

Wednesday, December 17, 2014

Light Station No. 496

When I travel, I have a strange habit. Inside my desk drawer, along with a few years’ worth of accumulated Sharpies, spare earplugs, now-arcane thumb drives, and last year’s birthday cards, there are several folders. Each folder contains the paper detritus of a trip or two, loosely bound by a pocket divider or binder clip: bleached receipts, transit cards, tickets, programs, random stickers, maps – any paper good that I could fold up and put in my pocket, until my pocket was too full, when they’d get wedged into my small notebook like an overstuffed pita.

 

Early this fall, Amelia and I took a pretty epic trip to Northern California (referenced in my previous post) – which provided the two paper scraps above. The first was a receipt (old-school dot-matrix printer, if you couldn’t tell) from a hostel in Monterey. At the end of our trip, we made a quick jaunt down the coast to explore parks around Big Sur for a day. Not having the coin to stay in a swanky, cliffside, masseuse-included resort (or a yurt fancier than our own house), we bunked (literally in bunk-beds, albeit with stellar memory-foam mattresses) at a hostel in Monterey.

A year previous, during my first coastal excursion with a group of dude-friends, we’d stayed at the same place. I felt a pull to return, and everything was unchanged, down to the slightly-salty elder sea-hippie at the counter, whose sockhat and sweater were as rumpled as 12 months ago.

Also unchanged? His check-in manner. Only one guest could check in at a time, which initiated an unstoppable-but-friendly 10+ minute sequence that involved an archaic computer system, a thorough facility introduction including safety & door lock warnings, bathroom token explanations, and brief tour of rooms. He also jotted notes down on your receipts indicating rooms and codes and (last year), even drew a brief map indicating a suggested restaurant. In short, the man is a champ...if inefficient.

Because as sure as the wind blows, when one backpacker arrives, they all do. And holding fifty-pound rigs while sitting four parties back in line, watching the check-in sequence over and over must’ve seemed like some sort of torturous performance art. I could only look back sympathetically before we went off in search of unadorned shrimp with some drawn butter and strong cocktail sauce.



Further up the coast, well north of the Bay Area, we’d stopped at the only climbable lighthouse on California’s coast. It stands neatly west of the coastal highway, across a couple miles of scorched coastal plain, small shrub stands and cattle woven into the foggy fabric and occasional sun-shower.


(The view from atop Point Arena.)

I have a strange, not unromantic attachment to lighthouses, as do many in landlocked areas, as evidenced by Indiana’s plethora of lighthouse-themed apartment complexes, storage facilities, restaurant/bars, and more. Not that I’m drawn to those simulacrums, or that I have a room full of lighthouse tchotchkes displayed on a prim shelf.

No, my predilection is if I see one that can be ascended – I need to climb that lighthouse. Growing up, my mom’s side of the family would rent a large house or two in North Carolina’s Outer Banks, big enough to stuff 25 or more of us into for a week each summer for the better part of a decade. In-between endless pancake breakfasts, jellyfish counting, and nightly euchre tournaments full of war whoops and dancing, there was always a trip to the famous Hatteras lighthouse.

Driving up through the lot, at an acute angle to the beach, this massive lighthouse almost seemed to rise from the waves, thrust out of the ocean by some giant hand that was unperceivable. In fact, at one point it was delicately moved back from the eroding shore, something that must’ve taken a couple years considering the tons of brick that made up the structure.

There’s a photograph of my younger brother and I atop the lighthouse, out against the railing that now seems very open, beneath 2014’s near-paranoia safety standards. We’re wearing soccer jerseys, wind in hair, sun in eyes, staring into the camera, maybe slightly past down the coast full of battered beach and a bunch of houses that were subsumed by a hurricane in the last decade-and-a-half.

No fog floats around, just sun and youth. I remember looking down at the parking lot and watching the ant-like people scurry back and forth, before looking down the tide as it ran toward the horizon. Time seems to pause when you’re inside a view that used to be the solitary blessing of the keeper. When I’m in a lighthouse, taking the stairs two-by-two to get to the top, I’m momentarily transported back in time to my younger self, looking at the beach, smelling the sea – a temporary fountain of youth.

Thursday, December 11, 2014

Down On The Corner

Yeah, I know – my third place was supposed to be neither work, nor home. But – part-time work wasn't specified, so I'm gonna roll with it. If you know me, you probably know that I moonlight on weekends as a Record Store Clerk at LUNA Music. A year-plus ago, I walked in on a Saturday morning (my usual weekly visiting time...due to Amelia often being at work), and they asked me, "Hey dude, would you want to work here?"

(Sunday mornings with the Rev. Al Green – a Tracks tradition I keep alive at LUNA.)

"Uh, yeah. For sure!" was the only response I could think of, despite any other commitments I had. Turns out that I am physically unable to turn down working at a record store. In Muncie, while I was attending Ball State (and playing music), my friend and bandmate started Village Green Records. I took my work-study salary and bought a record a week, hanging out there with friends and bandmates who either lived in the back of the shop, or were always on the porch or coffee-stained living room couches.

(Growing's drone masterwork The Sky's Run Into The Sea, one of the vinyls
I picked up from VGR when building my collection a piece at a time.)

In Bloomington, I had wandered into Tracks, an old shop (the last of a regional chain destroyed by big box stores) with a (killer at the time) jazz selection to randomly ask for a job on the day that someone else left – that turned into nearly year-long job where I learned some of the ins-and-outs of buying and vinyl-sorting and cartridge-replacement and margins and how-to-open-a-CD-really-quickly-and-get-the-damn-sticker-off. In my spare time, I was also volunteering at the Secretly Canadian distribution warehouse, moving around crates of records (thanks for bombing and making me re-stack 100k albums, The Avalanche) & filling orders while listening to entire label discographies...a flood of music that approximates the ease of today's streaming society, except that this was my life, and I had to work for it!

Though the vinyl resurgance hadn't yet really begun, I loved all of it. Not just listening to new releases and getting wrapped up in 2-hour conversations about Neil Young guitar solos – it was the fact that, for most people coming in a record shop, this is a highlight of their day, week, or month. They aren't generally on some mission – they love music, whether it's Neil Diamond, Neil Young, or bands who don't even have a Neil. That energy and passion is infectious, alluring...it makes work not seem like work. (Until you have to vacuum 20-year-old-carpet, or buy-back twice-used porn DVDs from a dude who had just bought 'em a month ago...)

So. Back to LUNA. I visit record stores almost anywhere I go, from Dusty Groove & Reckless in Chicago, Amoeba & Groove Merchant in San Fran, Grimey's in Nashville, Vintage Vinyl in St. Louis, Little Axe & Mississippi in Portland, Sonic Boom in Seattle...and LUNA is something special. I can't be biased, because I'm just the "weekend dude", but we have the friendliest staff, the cleanest, brightest, and most welcoming shop, and an amazingly curated sense of place, from fantastic art contributors to Todd's collection of ephemera and general great taste. I feel fortunate every day to be a part of sharing and spreading a love of music-as-art, of supporting career musicians, hobbyist labels, archival/curator/record-digging folks, independent & local garage bands, and everything in-between.

On December 20th, LUNA celebrates its 20th anniversary – if you haven't been in in awhile, or ever – what are you waiting for?!

Monday, December 8, 2014

Goodbye, Shelf System

If you know me, you probably know I don't have a TV anymore. It seems to come up in conversation here-and-there. It used to be a point of pride, but now it's just a fact. We were moving – we owned a TV that wasn't that big, but was three decades old, and weighed as much as three of me – so I herniated myself getting it out to the curb, slapped a "FREE" sign on it, and washed my hands of having another screen...at least for awhile.

What is the focus of my living room, then? Well, I'm not as much an ascetic as I make it seem – this year I said goodbye to my old stereo set-up, and hello to a new era in sound. I'd been rolling with a $20 discontinued Nu-Mark turntable, Sony shelf system (with built-in phono input, as well as a dual tape deck and broken 5-CD changer) inherited from both of my brothers, and the Sony's particleboard speakers.

Here's what I ended up with:

First spin on the new deck was the new remaster of CAN's Ege Bamyasi. 
Because nothing else would do.
  • Pro-Ject Debut Carbon – this machine is pretty much a minimalist work of art, so much so that often when I enter the living room, I wonder, "Did I just walk into a museum? Why are there dirty dishes on a coffee table next to that gallery display?" With minimal, heavy-duty, high-quality parts, a glossy black coat, hidden power switch, and slightly beveled clear lid, the real thing of beauty is the only bit of color: the Ortofon 2M Red cartridge, which produces the most detailed, spacious vinyl sound I've yet had the wherewithal to own. I cannot recommend this turntable enough if you are thinking about upgrading – it's worth the extra initial spend from the moment you drop the needle.
  • NAD 7125 receiver – just a lil' minimalist 25 WPC receiver I snagged for $20, and is more than plenty loud for our room. I'm not a big classical or electronic/hip-hop listener, so this suits my frequencies pretty well without super detailed EQ'ing (though I may spring for one of those components next).
  • Cerwin Vega D3 – these speakers are nearly as tall as my record shelf...almost too big for the room. But ran into a pair for $50 and rolled the dice. I still need to refoam them, but they were otherwise mint, and sound so much better than my old Sony shelf speakers that it's not funny. On either side of the shelf, they create a magic zone exactly where our couch sits. I've already given more than one Masters-level lecture on the audio aesthetics of Ege Bamyasi...is that a course I could charge for?

Thursday, December 4, 2014

We're All Cavemen Here

Every weekday, in blustery, rainy, ocean-brined Brighton, a man leaves his house with everyday purpose. He gets into a black sedan, and, wipers on, drives a few kilometers to an anonymous office park, in a strip of anonymous businesses crawling with the detritus of laypeople. He gets out of his car, and goes inside for 8 hours.

At 5pm or so, he emerges, looking worked, a little fatigued, furrowed brow set over sunglasses, and gets back into the sedan. He drives home in time for dinner with his twin sons and wife.



That man is Nick Cave.


Cave is an Australian ex-pat songwriter best known for his explosively dramatic turns fronting, first, the post-punk outfit The Birthday Party (who made everyday nihilists look like patsies), and afterwards, Nick Cave & the Bad Seeds (brooding, literate rockists) and Grinderman (the penultimate sideshow id act). Yeah, a rock star. Who goes to the office.

It's not that I didn't know that artistic output takes work. I understand. I've watched close friends labor of musical works of love for years. I've watched Amelia painstakingly sew hand-cut banners for a staged photo series. Art equals work. 

Cave had a "documentary" (the beautifully shot 20,000 Days On Earth) that came out this year, that he scripted himself. Regardless of how much of the movie was "real" (the script dealt constantly with the push-pull relationship between self and self-creation) – there were some bits that really hit home.


After footage of the Bad Seeds at work in the studio, playing the repetitive, building, cut-off future-blues of "Higgs Boson Blues" – Cave opined about his songwriting process, saying, "You take two things, two ideas, and smash them together. When you see sparks, you follow them."




[That's what I got out of the quote, at least.]

Wow – though it may be a reductionist view of the artistic process, I prefer to hear it as empowering. Inside our double-helixes, we're all cavemen, smashing anything at hand together to produce work, art, life. We have our caves, and we chase everything except an alive dinner (well, some of us chase that, too). We dig through air, land, and water for glittery stuff (or its paper representative). 

We all have the same chance to create. Don't take it for granted – pick something up. Now pick something else up. Start smashing. Make art.

 

Wednesday, December 3, 2014

Masters of Mass & Velocity

Although I laughed myself to tears last week learning "Why We Yawn" – I felt like I should provide a story with personal context, and a lesson, to illustrate the humor in the lack of common sense I display on a near-daily basis. Whether it's losing a screwdriver while putting together a turntable (nevermind that I did not move while doing so), or leaving my keys in the door at work and not realizing I've done so until biking all the way home (twice in the last month)...I've become quite adept at glossing over the simple things in life. I blame it on constant esoteric thinking, mentally solving the problems of the universe, and adapting recipe amounts in my brain.

This summer, we moved out of a house we'd been living in for over 2.5 years. When my parents escaped the icy grip of the Midwest for Florida, they'd left behind their (20-year-old but still fine) Maytag washer-and-dryer, just as I was moving into a place with an empty basement. I took them everywhere I went in Indianapolis, but fate had other plans for these scuffed, white aluminum hunks of machinery: the washer went kaputt two weeks before the moving date.

Not wanting to fix a W/D set that was nearly as old as myself (though I have better hair), the east-side in me decided that I should drag them out of the basement and stick them on the curb with a big "FREE" sign taped to the street-side. Maybe my property-value-concerned neighbors would throw shade at such incomprehensible behavior...but hopefully they wouldn't sit there for three weeks like the beige couch I tried to rid myself of a couple years back.

With my younger (stronger) brother and buddy Andy assisting, we manhandled the dryer out of the basement and to the curb. Good to start with the lighter item, I said, as the temperature passed 95. Of course, moving day happened to be the hottest day of 2014. Andy mopped the sweat off his brow, replying, "Sure. Whatever you say." In the 80s they must have used a heavier gauge of aluminum – or maybe there were 30 years worth of pennies in its belly. Either way...it wasn't light.

The washer posed multiple challenges, beyond being heavy as shit. The water intake had rusted onto the spout. After much wrenching (made harder with sweat-covered hands), I retrieved a hacksaw and cut the hose off. I'm sure the new residents will enjoy their hose portion, I thought. We inched it over to the ancient stairwell, tipped it on its side, and with Wes and I pushing from beneath and Andy guiding the top (and ruining his back), made it to the landing a foot down and 90-degree turn from the door.

Perfect time for the sides of the washer to slam against the molding. It was a half-inch too wide on either side...and because we couldn't rotate it while it was leaning at a 45-degree angle on the stairs, we had to back down to the basement floor and try not to squash ourselves. Wes retrieved some boards to use as ramps, and we rotated the washer so the slightly smaller backside faced the stairs.

At the penultimate moment, the sides of the washer this time scraped the wall with a shearing sound, like some fat tugboat dragging ass through the Panama Canal. But hey! – we made it up to the landing, and were a 90-degree turn from being out the back door. Unfortunately, the instrument panel made such a turn impossible. Wes's solution? Smash it forward with a hammer till the turn was possible. That instrument panel was pretty analog anyhow, with less dials than a 21st-century beard trimmer. No big loss.

So, now it's 100 degrees. Everyone is completely sweat-soaked, and the washer is in the backyard. I figure I have to be the one to shuffle it through the grass, around the house, and to the curb. My possession – my job. After wobbling forward a foot-or-two, Wes sees my lack of progress and gets up to help. We both grab two corners, and push as hard as we can to rotate and move the beast forward.

One problem – it doesn't budge. I figure it must be stuck on some funky grass knoll that I didn't see (not because I only mowed once a month...). We try again and the washer doesn't move. Sweat is in my eyes and I'm muttering, "...the fuck?" A third push gains a couple inches.

Andy is visibly upset in the shade of the back stoop. He has an engineering background, and is uniquely qualified to solve this matter of mass and velocity...right? "Here, let me see..." he grabs my end of the washer. Wes grabs his, and they move it five feet like it was riding on greased wheels.

Andy shakes his head, "Yeah, you guys were pushing at each other. C'mon!"

Shamed, I back off for the next 25 feet, only helping again when the gate is cleared, when I can drag the washer, panel hanging off like a loose appendage, across the cement. By the time we return in the evening to clean, it is gone. My oldest friend!

Tuesday, December 2, 2014

No Need. Ever.

Call it idealism, call it willpower, call it being contrarian – hell, call it trendy. I don't care. I turned tail and retreated from a single consumerist outpost...not exactly a moral victory. All that to say – I don't buy anything from Amazon anymore.

Last year, for the Holidays, I bought most gifts (that weren't food, drink, or records) from Amazon. It was easy – there were multiple options, low-ish prices, home delivery of goods (valuable when you share a car)...and clicking through endless iterations of material goods seemed to be less soul-sucking than wandering the glittery corpse of a mall.

Then this year's media blitz happened, and I started paying attention to their labor practices. I learned their original name was Relentless (and still redirects to Amazon!). I learned they'd been historically stingy despite astronomical revenue. Most of all their (incredibly tone-deaf) dust-up with Hachette.

After a few moments of conscious thought, it became pretty clear that this wasn't an organization I thought should be the gatekeeper to many of the world's cultural products. This wasn't someone I'd want to work for.

No, this was an organization dedicated to accumulating possessions, with little care to quality. Dedicated to pure, uncut commercialism & attempted domination of any sector it touches. Not to mention, "Is there anything on Amazon that I actually need?" The answer, of course, was a resounding "NO."

I'd rather wait a day and give money to a local business who feeds my economy, pays & treats workers like people, rather than avoids paying taxes and uses seasonal workers as automaton stand-ins until the drones are ready to do the mouse-clicks bidding.

Most of all – I don't need any of the things that an algorithm tells me to shop for. I don't need to immediately resolve almost any of my "wants". What I do need are experiences, connection, warmth, and people that value others over any material good. And if you need those things, too, then you don't need a gift from me.

See ya, Amazon. I won't miss you.

Monday, December 1, 2014

Thirty Ain't Too Shabby


In January, I turned 30. In what has become an annual tradition, my buddy Andy & I took a bus up to Chicago to stay with our old roommate and man-of-fine-taste, Tyler. We feasted with the most solid dudes around upon hams and other hooved delicacies at Publican, which is where this stein set recessed and noble. Oh, and then we were accosted by a unstable fool, and nearly stranded by a polar-vortex-induced ice/shitstorm.

But that's another story.



Bread. I kept making it. And, I was able to eat some of the country's finest loaves. Tartine. The Mill. And stumbling upon Cellar Door Provisions. To be continued...

 

After Amelia got back from England and her grandmother's funeral, we took some day trips around the area, including her first visit to Turkey Run State Park, on one of the most astoundingly beautiful days of the year. Indiana, you clean up well...when you're surrounded by microclimates and funky, ancient moss-encased canyons.


In June, we moved. For the second time in three years, just a few blocks away to a two-story pad with a *ahem* baller *ahem* kitchen. I used the opportunity to set-up a new listening station (Pro-Ject deck, NAD amplifier, used Cerwin Vegas) in the living room. And yes, the speakers reside on the floor. Just outside the frame was our bedframe, waiting to be taken apart, carried upstairs, and put back together again.

 

Everything, Now! only played two shows this year (and one was a ten-minute set at the 13th annual Tonic Ball). The other? A mind-opening set before our psychedelic-pop heroes in Circulatory System. The night flew by in a dream-state, though their set (and new long-player) was phenomenal.



I got wrapped up in World Cup fever, again rooting for the squad while nervously watching the early rounds. Despite a terrible draw, we made it through to the knockout round, which necessitated the donning of my American flag shorts (courtesy Tyler) and a bike-ride down to Mass Ave., which had been closed off to watch the game on projection screens. We lost, but after a late goal and an impossibly near miss, hope was thick in the air.



Last year, I journeyed West for a thirtieth birthday gathering of dudes. Such an epic time was had driving south down the Pacific Coast Highway from San Fran to LA...that I had to go back. Had to. Plus, Amelia had to hear all the tales and see none of the sights. This time, we ventured north up the PCH to the Lost Coast and redwood country. 

It is simply the most stunning landscape, and raw, sun-showered coastline imaginable. I have to go back. Have to.



(Somewhere near Mendocino.)



(Punta Gorda, Lost Coast.)




(Amelia atop San Fran's Twin Peaks.)



 A few weeks later, my elbow randomly swelled up. Then it got hot. Then I got a fever. Then I went to urgent care. Then I went to the ER. Then I went home. Then I went back to the ER. Then I was in the hospital for three nights. I think this was the day I got out, before collapsing into a pile of exhaustion.


To celebrate being alive (and, I had already bought the tickets) – Amelia and I drove to Chicago to see the reunion tour for Slowdive, one of my absolute favorites (peep Souvlaki for hazy pop gems). The show was stellar, as much so as staying and eating breakfast (and drinking whiskey) at Longman & Eagle. To whomever planted that seed in my brain...good work.

Tuesday, February 18, 2014

Warm Potato Salad with Lentils + Poached Egg

David Chang is right when he said there wasn't a dish in the world that couldn't be improved with the addition of a runny egg on top. My poaching game is strong. Subbed some rough diced yukon golds for fingerlings in this recipe from Smitten Kitchen, as well as some homemade pickled tomato relish for the pickles.

Saturday, December 21, 2013

Think Kit #21: Repetition, Repetition

(Part of Think Kit!)

I remember very distinctly the first time I heard the motorik backing beat of NEU! From a young age, I had been a finger-tapper, pencil-drummer, leg-shaker – I was generally vibrating, due to some internally-combusted mix of anxiety, energy, and nervous compulsion. Though I never really listened to much music growing up (or played anything beyond the dried-saliva smelling beige recorder), somehow the 4/4 beat was in my blood. "Hallogallo" resonated with my insides, and I can still listen to it over and over without being sated.

Repetition soothes my inner beat. Repetition is my musical mantra, apparently. I can get down with the overlords of day-long chords, Oneida, the extreme-drum-circle of Boredoms, the modern two-chord slow-boogie of Wooden Shjips...it just makes sense.

When it comes to personal mantras, I also tend towards repetition. My friends and I, a couple years back, began to write songs, and in a fit of 5:00am-inspiration, decided that a few years back would be the Year of Doing "Stuff" (stuff, while replacing something less couth, meant actually creating), and the following year became the Year of Doing Better "Stuff".

And now life's 4/4 beat has turned the corner again – 2014 has snuck up like the gray hairs poking out of my temples. I've decided that the mantra I'll repeat this year is less wordy, but more complex:

(Photo taken at DFW.)

I am at heart a conservatively-behaving person (not politically – there'll you'll find me...quite left); whether a Lutheran upbringing in an auto-town is to blame, or my 20th-century genetic mish-mash, or some inner alarm that urges caution, whatever it is, I'm not prone to risk.

In 2014, I'm still going to use judgment, still will assess the scenario and take stock and size things up...but I will make a conscious effort toward chance, toward the road less travelled, toward the difficult, the labor-intensive, the creative epicenter of self, and other parts unknown.

...I am a writer, after all, or at least I call myself one. And each writer needs fertile material. Time to put the plow down and see what I can dig up.